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“That time, I wanted to express a feeling,” she explained postshow.
On a call from Beijing, she said she was inspired by the savanna’s unity and balance; it’s home to an incredible diversity of plants and animals living in harmony, often with little exposure to humans. Guo Pei titled her couture collection “Savannah,” after the grasslands in Africa. Bodices fanned upward for added drama, and gilded embroideries retained a regal air. In prosperity or decline, alternating like day and night, architecture undergoes the test of changes throughout history, finally becoming a profound memory of a time period and quietly standing in the horizon.
Brunelleschi would have smiled.Pei’s ambitious couture creations often project outward from the body, and previous collections have explored religious subject matter, so perhaps a meditation on Gothic churches was inevitable. AW 2017/2018 Guo Pei x Caroline Scheufele SS 2017 Legend AW 2016/2017 Encounter SS 2016 Courtyard CLASSIC Exhibition Press News Contact Alternate Universe : Autumn/Winter 2019/2020 . The upside of Guo Pei’s show starting late was that time could be spent appreciating the life-size Romanesque, Gothic, and Neoclassic molds within the vast gallery of the Cité de l’Architecture. The show notes described her intention to evoke architecture’s “beauty of strength” via garments that suggest “a dialogue between the human body and spatial dimension.” That these dresses pushed the limits of fashion, in other words, was exactly what she set out to do.
Bio works COUTURE. There was no way that Guo Pei could outdo the epic proportions of last season’s Legends theme, which conjured up fantastical queens of this world and beyond. Back To Top. Guo Pei. AW 2017/2018 Guo Pei x Caroline Scheufele SS 2017 Legend AW 2016/2017 Encounter SS 2016 Courtyard CLASSIC Exhibition Press News Contact L'Architecture: Fall/Winter 2018-2019.
Guo Pei Haute Couture Fall-Winter 2018-19 by RUNWAY MAGAZINE Through this collection, Guo Pei expresses her reflections and sentiments on architecture.
Guo Pei, 68 Rue du Faubourg Saint-Honoré, 75008 Paris info@guo-pei.fr. “This time, it’s a lot simpler; it’s a tribute to the era of haute couture, when life was more beautiful and dresses were more beautiful, as well.” She manifested this nostalgia in a wide array of filmy floor-sweeping gowns, contoured fit-and-flare cocktail numbers, and seductress mermaid styles. In a quite literal interpretation, she transposed their likenesses directly onto her clothes: A graceful cheetah was felted and embroidered onto a black dress; a jacket with grassy fringe was intricately hand-stitched with a landscape of giraffes and acacia trees; a zebra’s head curved around the neck of a raspberry top, its striped mane fanning out at the shoulders; and, a bit disconcertingly, an elephant’s face was sculpted into the back of a crinkly gray jacket, its 3D trunk furling out just above the model’s backside.The tail-like effect will deter some women, and the scale of the animals on other pieces—like the finale dress, a bubble mini with two giraffes reaching for the model’s face—lacked subtlety.
Rare is the person who looks at a cupola rising from a church and sees a ball gown tiered in bronze organza.
Guo Pei titled her couture collection “Savannah,” after the grasslands in Africa. Back To Top.
Today, she reined in that ceremonial splendor and concentrated on the legendary aspects of haute couture itself—silhouettes that expressed bygone glamour newly infused with intense levels of metallic luster and embellished shine. You can But whereas most of us would be content to simply gaze at these facade fragments and detailed maquettes, the ever-ambitious Chinese designer interpreted them as vaulted pannier skirts, arched necklines, quatrefoil lace, and rose window embroideries.
“Haute couture, if it’s really interesting, doesn’t have to be close to everyday life, and very few designers have to dare to use their extreme designs to express themselves,” she said through a translator following the show.
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