(c) 2013-2014 lavenderpoems.com All rights reserved. Whether or not a physical lesbian relationship existed is not clear. She found that protection for a time with the Marquis de la Laguna, and his wife Maria Luisa, Countess de Paredes.It is Maria Luisa who Sor Juana Inez comes to love, very deeply.
In this poem, Maria Luisa has apparently questioned the love of Sor Juana Inez because Sor Juana Inez had not been vocal enough. If you have been so fortunate as to have seen it, please jot a note below and tell us about it.Olivia Guzman Emilie stars in The Masks of Sor Juana, presented by Teatro Dallas in April 2014And a play titled “Masks of Sor Juana” opened in Dallas in April 2014. Yes, that is true. Her “Respuesta” is a maverick work outlining the logical sense of women’s education more than 200 years before Virginia Woolf’s “A Room of One’s Own.” And it was “Respuesta” that silenced her pen. In her poetry at that time, Sor Juana Inez refers to a “Phyllis”, widely accepted as reference to Maria Luisa. Sor Juana Inez de la Cruz’s Love for Another Woman Because Sor Juana Inez was such an outspoken critic of women’s educations, and even critical of some Church mores, she needed the protection of influential political leaders.
And by all images I could locate, she was also very beautiful.The Oregon Shakespeare Festival in Ashland, Oregon, has just premiered a new play about Sor Juana Ines de la Cruz, called “The Tenth Muse”. )“The Tenth Muse” only hinted lightly on the issue of women’s love in the convent, and for good reason. They were very popular during the early music craze in the 1990′s, when Hildegard of Bingen soared into stardom, so many albums made of Hildegard’s music then, along with a wide variety of medieval, renaissance and baroque women composers too — their very existence as composers surprising everyone. Her poetry, meanwhile, states in bold language the potency of the feminine in both love and religion. Here is an excerpt from that very dramatic poem:There is another poem, called “My Lady”, which is an even bolder statement of Sor Juana Inez’s love for her lady. )Here’s a link to a hymn called TOCOTIN (click on the arrow to hear a sample), words and music composed by Sor Juana Ines de la Cruz. Some of her writings did survive, and they are simply brilliant.There was another version of the life of Sor Juana presented in the opera In the opera, the older Sor Juana is on her death bed, with visions of her life drifting before her. These exquisite love poems, some of them clearly addressed to women, were written by the visionary and passionate genius of Mexican letters, the seventeenth-century nun Sor Juana Inés de la Cruz.
I hope this is the century we can bring their works to life.Click on the image to get your copy, either soft bound or Kindle format. So this is a pure unabashed statement of love. I was so pleased to have seen that play . Sor Juana Inés de la Cruz was an exceptional seventeenth-century nun who set precedents for feminism long before the term or concept existed. Her "Respuesta" is a maverick work outlining the logical sense of women’s education more than 200 years before Woolf’s "A Room of One’s Own." And it was her unrelenting defense of women’s right to education that was her ultimate downfall.This illegitimate child, this prodigy, this genius had the audacity to challenge the Church’s position on women’s education. Sor Juana Ines de la Cruz was so much more than a lesbian love poet.Sor Juana Ines de la Cruz in the library that she created in her rooms at the convent.She was, in short, an incredibly intelligent, gutsy, perceptive woman who chose the nunnery as her place of residence.
Sor Juana Inés de la Cruz 1651–1695 Born on November 12, 1651, (though there is some dispute about the year) in San Miguel Neplantla, Mexico, Juana Inés de Asbaje y Ramírez was the illegitimate daughter of a Spanish father and Creole mother.
Se destacó como una de las escritoras mexicanas más reconocidas del siglo XVII. The Inquisition forces her to sign a blood oath, and ultimately the older Sor Juana embraces her younger self with the words, ‘Enough of suffering, my love. (And I'll never use that email for anything else -- I promise. Enough.’ Reconciled at last, Sor Juana dies.I have not seen the opera, but it sounds absolutely wonderful. She was simply brilliant, no matter what.Because Sor Juana Inez was such an outspoken critic of women’s educations, and even critical of some Church mores, she needed the protection of influential political leaders.
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juana inés de la cruz poems